Showing posts with label stencils. Show all posts
Showing posts with label stencils. Show all posts

Tuesday, May 19, 2026

Creating Victorian Inspired Floral Cards with "The Drawing Room"

These two Victorian-inspired cards were created with Altenew's The Drawing Room bundled kit.



I really love this set. So many period tidbits to mix and create different tableaus. I am dying to make a card with the drawing room furniture. The card fronts were so complete in my mind,  I chose to keep one card blank and include an embossed sentiment on the inside of the other card. 

The colorful, layered florals appear vibrant against the neutral backgrounds. I chose four different colors to stencil the flowers and four for the leaves. While this had potential to look like a paint store exploded, it all works because I kept the colors in the same color family and increased the saturation in fairly even levels. Big tip: you can let others do the work for you by purchasing color sets already assembled with these considerations in mind. If you do not have a pre-packaged color set, then you can will likely need to whip out your (two level) color wheel. Here's my supplies and the steps I used to create them. 
Supplies
Optional: 
  • Anti-static powder (I use corn starch)
  • Washi tape
  1. Cut and fold an A2 card (4.25"X5.5"), cut a piece of 4"x5.25" black cardstock and a piece of 3.75"X5" white cardstock. Set side.
  2. On a separate piece of white cardstock, use the kit's layering guide to stencil the flowers and leaves. I find it helpful to use a blending brush for each color. If you plan on continuing making cards, it is a good idea to invest in several. It's not a good idea to use a damp brush (recently cleaned) to stamp a new color. It will majorly slow you down if you need to wash and dry brushes between colors. 
  3. Using your die cutting machine, cut out the flowers with their leaves. I use low tack tape (washi tape) to keep my die in place while cutting.
  4. Using the desired stencil on your 3.75"X5" piece of white cardstock, create your neutral background with your gray tones. I originally made the stenciled background gradient in color by using an ombre effect with my inking. This is seen in my supplies photo above. It looked unfinished, so I later changed it to the solid color background seen in final card. This kit provides many options to use for backgrounds; ranging from stamps, stencils and an embossing folder.
  5. Assemble the pieces of the card. I used flat double sided tape to center glue the black cardstock over the card front. And I tried two different layering approaches with my two smaller pieces of white cardstock. On one, I centered the white panel over the black. And on the other I nestled the smaller white cardstock to the lower left, leaving more black edge around the top and right sides. This is evident in the supplies photo. However, again, I changed my mind and centered it. I like asymmetry and planned on adhering my flower at an edge with her leaves partially extending beyond the card. I felt that was enough asymmetry. 

  6. Using the foam tape, adhere the flower onto the card. I placed it lower right, with a tiny bit of overhang.
  7. I chose to include an embossed sentiment inside one of the cards. True to form, Altenew kept the fonts and the wording in keeping with the Victorian feel. I love their attention to details.
I hope you can see that even though one might have a step by step process in mind when creating, you are always tweaking and changing course. Even re-doing entire cards to get the desired one. Some of your best creations will be the result of happy accidents. Have fun with your artistry!

Wednesday, February 11, 2026

Creating with a twist: using incongruous elements together



Have you ever liked fashion or art that was made up of elements you would not think "go together"? Have you ever heard someone describe something as "beautifully ugly"? I can not tell you why or how but sometimes you can go afoul of basic design principles and come out with something appealing. Well, I set out to create a visually pleasing card with elements that normally clash.
I think I succeeded in designing a fun card that illustrates this point.

I used non-analogous and non-complimentary dominant colors of purple and green and mixed vintage style florals with a modern graphic of thick stripes.  The sentiment set I used was perfect as it paired a lilting cursive "You" with a modern computer-ish block type. And the end result... I like it! it's quirky and fanciful.

Supplies

  • Altenew's Scalloped Ornaments layering stamp set. This set is not  available anymore but there are several other Altenew layering stamp sets to choose from.
  • Altenew's You Matter die set
  • Altenew solar white card stock
  • Altenew's fresh dye ink in Wisteria,  Ultraviolet and Sweet leaf
  • Optional: 


    1. Cut and fold an A2 (4.25"X5.5") card and set aside. Cut two 4"X5.25" pieces of white card stock.
    2. Lay washi tape stripes across one of your 4"X5.25" card stock pieces. Peel off every other stripe of washi tape.

    3. Paint the exposed card stock stripes with your acrylic paint and set aside to dry.
    4. Stamp your floral designs.
    5. Use the stencils to layer colors with ink. You can leave it here or you can add highlights with glitter pens and/or markers. 
    6. Fussy-cut (hand cut) your stamped images and set aside.
    7. On a separate piece of card stock use your blending brushes to create swaths of color big enough for your chosen sentiment. I created an ombre effect on the bigger segment (the "You"). 

    8. With washi tape, secure your dies to the colored swathes of color. Die cut the sentiments out.
    9. Assemble your card.

      Use double sided tape to center the now dry striped piece of card stock onto the front of your folded blank card. Use foam tape for the floral design and main word: "You". Use double sided tape for the smaller text.

    Relax, and enjoy your creation. Who will you send this card to?

    Thursday, January 29, 2026

    Using color to elicit a mood


    As a card designer, one of the most powerful ways to create mood is with color. With this card, I demonstrate how atmosphere transforms a design by recreating an artist’s work table filled with inspiration, quiet focus, and creative energy. A dramatic overhead light source and minimal surrounding light helped me achieve the emotional tone I wanted. 
    Using the Altenew Craft Your Life Kit: Illuminated Scenes, I show how to work with multi-layered stencils and coordinating dies to build a bold composition. Techniques for stencil layering, inking, die cutting, and thoughtful color choices elevate the card's design.

    Supplies

    If you are like me, you benefit from both a visual demonstration as well as written instructions when attempting a new project. I made a video tutorial for this card on my You Tube channel. You can find that 20 minute instructional here
    1. As usual, you will need to trim and fold a white cardstock A2 (4.25"X5.5") card. Also, cut a 4"X5.25" white cardstock piece of paper and another that measures 3.75"X5".
    2. Blend azurite ink around the border of  the 4"X5.25" piece of white card stock. Set aside.
    3. Secure your 3.75"X5" piece of card stock to a surface so that it will not move while stenciling. I use my Stampwheel for this; its clingy, sticky mat holds it in place. If you do not have such a tool, I recommend using washi tape to secure the edges of the cardstock and stencil to a surface while inking. 

    4. Since this kit contains two separate scenes, familiarize yourself with the stencils that pertain to your chosen scene. Also, note the order in which to use the stencils. 
    5. Use your blending brushes to ink the sequential stencils. You will need a new blending brush for each color. Do not reuse the brush right after you wash the old color out. It needs to be a dry brush for blending. So, I know what you are thinking... yes, you will want to have many blending brushes on hand. Those are staple investments, like card stock, inks and glue.
    6. Once you have inked your entire scene, plus your chosen sentiment in permanent black, die cut the sentiment out. 
    7. This may go without saying... after all your inking, make sure your hands and work area are clean, clean, clean. (Is it just me that tends to get ink transfer on my projects?!)
    8. With double sided tape, adhere the piece of card stock bordered with azurite ink to the front-center of your folded card. Then use foam tape to adhere the stamped and inked scene front and center to that, so that the card is left with a white and blue border. 
    9. Use your gold metallic card stock when cutting the frame die that comes with the kit.  I used the smallest rectangle to serve as the base for my sentiment. I also chose one of the thin gold frames to enclose the scene even more.  I then have a total of four framing rectangles around my scene. I like this as it contributes to the feeling of being drawn into an intense focus.  That is how I am when I am creating; I tune out miscellaneous distractions and concentrate. The stark over head light shining down on my work is a metaphor for the inspiration that occurs.
    I was tickled by this card as I spend many a late night working at my art table. Actually, it is my favorite time to work. It is calm, quiet and I have no distractions. The rooms in my home are dark, except for my working lights. 



    This kit comes with sentiments that reference one creative to another. It also comes with more general uplifting sentiments. And don't forget - there is a whole separate coordinating set for a different scene. That scene also revolves around a strong light source. Here is that scene as I created it.



    Sunday, November 16, 2025

    Cardmaking Challenge Part #1 — Building Skills through AECP Certification Program

    Note: I am writing a separate post on the process of creating these cards. This post looks at the design of the project as a whole.

    My teacher in the Altenew Educator Card Making (AECP) Program, Erum Tasneem, issued me a challenge one third of the way through the program. The challenge consists of designing two sets of cards drawing on similar motifs and theme, but making one for men and the other for women. 

    I need to incorporate and explain three technical components I learned so far. These his and hers sets were to be packaged creatively and I should incorporate the use of at least one recycled item in the packaging. Everything was to be hand made.

    If you ask most people what a his and hers set means, the majority would come up with similar characteristics: durable vs delicate, plain vs frilly, bold vs soft, flowery vs architectural, you get the idea.

     Now, I know exactly what my teacher meant. On a personal level, I lean towards traditional feminine aesthetics. But I want to make a disclaimer here. I approached this challenge as designing two sets of cards: one that is more spare and stoic and the other more flowery and embellished. I saw them as opposite styles that would make the sets an interesting study in contrasts. Not so much a gender difference.

    Now-a-days, many people choose a non-binary identity, and for them, designating certain kinds of attributes as unique to men and women make them feel invisible.  As gender norms continue changing in our society, I think designers will need to reflect those changes in their designs. 

    The common attributes of blue for boys and pink for girls and all that comes with that aesthetic is changing; and the design industry will need to reflect that to stay relevant. But, for simplicity sake here, I will refer to the two sets of cards in the rest of this post as his and hers. 

    I used a bee concept for my cards and the theme for them is "encouragement". The five cards shown above are my hers set and the five shown below are my men's set. I think the differences are more apparent when viewing the cards side by side. Here are a couple of the twin cards. 
    The two Shine cards demonstrate my three chosen components excellently. I used inking techniques, die cutting and bling as my three components. 

    Both cards used the Altenew Gradient Stripes Cover Die for the peek-a-boo peek into the designs behind. I think this is a fun aspect. It draws the viewer into the composition. They have to really look to see what is underneath. I also used the Altenew Shine Die Set for the sentiment on both. (This is a versatile die set; and it is on 50% clearance right now!)
    The inking techniques were different between the two. The male card used an ombre inking that pulled colors from honey with Altenew's Summer Afternoon fresh dye mini ink set.

    The woman's card used layered stencils from the Altenew Honeycomb Haven Craft Your Life Project. This is the set I used in all cards in these sets.

    Lastly, the bling on the women's card is much more noticeable in real life than the selected sequins on the male card but they both really added the final touch to these presentations. Both cards used metallic cardstock for the sentiment. The women's card used rhinestones on the top and bottom edges while the men's card placed individual Altenew matte sequins down the card vertically. (I like this bottle of sequins because it is rare to find matte sequins but also it contains different sizes and styles in same copper color. AND, let me hear you say it : 'it is on clearance right now!')


    In another set of cards, I chose to create two cards that did not have any text  sentiment. One can easily be added inside.

    I am disappointed to see that

    the subtlety of these surfaces are not as apparent in photographs but I provide a couple of detail photos here. The women's card in this set is tied with one other card as my favorite in the whole project. The embossed texture provides a rich background that is appealing but does not 'take over'. In the detail to the right, I hope you can feel the delicate complexity of this composition. Using rhinestone chains on the top and bottom really made this card bling-y. It reflects light in a major way.
    I used individual elements from the Honeycomb Haven set die. I die cut with Altenew's white cardstock and hand colored the pieces with alcohol markers to be able to blend colors (acrylic markers are not blendable, they are opaque). I enjoyed creating my own composition from the cut out pieces, not simply duplicating the arrangement on the cover die. 

    The men's card continues the no-text composition style with a richly stamped background using the stencil layering set from Honeycomb Haven.
    Whereas the women's card had no one focal point but invited a slow perusal over the whole surface, the men's card focus is the honey pot and bees. In my decision to not use flowers in a central way for the men's card, I chose a background that is predominantly vine and bees. But I do reference flowers with two small flower outlines that I kept non-descript with a single wash of pale blue and no details. 

    These next two cards show the biggest difference between the two approaches. The men's card is much less embellished. And though I added shine with a metallic gold border, I chose a thick plain band for the border. The men's card draws much of it's visual interest from the embossed background. The stamped honey jar in both cards used an ombre stamping technique and it was fun blending many colors.

     I did something different with the women's card's foliage and flowers. I wanted to add a subtle texture to the coloring. I sprayed the die cuts with a pigmented spray (Lindy's Gang). I was able to shade with different colors and the result is a soft wash of sprayed inks. 
    I love the effect. That sole difference- spraying ink instead of stamping- created a velvety feel to the foliage. You can really see the difference between the green of these leaves and the green in the "You" in the cards below. This is my other card tied for my favorite of the project.
    The last two sets of cards show similar differences. With the "Bee-lieve" pair, I made the women's card more ornate with a delicate floral background. She also got some shine with the metallic gold frame around the sentiment. I did insert a flower into the men's "Bee-lieve" card but I kept it non-descript with a muted color.

    Both of the "You are not alone" cards have an embossed hive pattern. The women's card has a stamped floral background over the embossed surface. The result is a busy, intricate design. The men's card uses the same layout but with a  a lighter hand and the bees were hand watercolored smaller.





    For the packaging, I recycled fancy tissue paper from previous year's holiday gifts. One is solid gold and I used that for the men's package. The women's package used a white tissue with gold metallic circles. I decoupaged two card boxes with these tissues and applied a couple layers of matte medium. Once dry, I used metallic gold acrylic paint and a sea sponge to dab gold color all over the boxes. This created a nice texture and unified the two boxes more. 


    I used a die cut of a Christmas tree to create an ornament to decorate the boxes further, since it is now holiday time. I used several layers of holiday napkins from previous Christmas'. I decoupaged the tree ornament and once dry, I sponged gold acrylic paint all over lightly. I hung them with metallic thread. Finally, I made a wax seal in gold to top the boxes and hang the ornament. 

    This challenge was daunting. But once I broke the tasks into small chunks, I began to enjoy the process. It was good practice comparing and contrasting aesthetics.
    I liked creating a cohesive whole while flaunting subtle differences. I got to experiment with design elements and how they effect a composition. I learned a matte sequin still embellishes but in a quieter way than it's shiny sequin counterpart. I saw how spraying pigment inks can create a different texture than layering stencils with stamped ink. And most importantly, I learned to look beyond the compositions displayed on the kits and to think outside the box to come up with my own unique designs.
    As far as labeling certain aesthetics as masculine and feminine, I still remain somewhat rebellious. I prefer to think of cards being appealing to a certain type of person, not so much the sex of the person. (My  boyfriend would love a beautiful Altenew floral card! ) But, I do get it. I am accommodating and can certainly deliver a card set that adheres to traditional masculine or feminine aesthetics. 
     
    What are your thoughts about designing differently for men and women? 



    Sunday, September 7, 2025

    Using vellum with die cuts


    This is my third card that I have made to illustrate how I use vellum (tracing paper) in my die cutting machines for an airy effect on my cards. And what better imagery than a hot air balloon for airiness.

    In my last post, I addressed the mistake of not having a strong focal point with my design. Wouldn't you know it, I made the same mistake with my second card. D'oh! In an effort to correct it,  I colored in my sentiment with marker, as well as as my vellum cut out butterflies.


    But the look was muddled up close. So, onto card number three.

    My sailing balloon theme is perfect for incorporating vellum. the sheer paper brings to life the balloon's fabric.

    Supplies


    1.  Cut an A2  (4.25"X5.5") fold over card from white cardstock
    2. Stamp your balloon onto vellum with embossing ink.
    3. Sprinkle embossing powder onto inked balloon. Shake off excess. 
    4. Use your four layering stencils to blend ink onto the balloon. 
    5. Melt the emboss inked image of balloon.
    6. Cut out the sailing balloon using your die with your die cutting machine.

    7. Loosely glue the balloon on the front of your card. For visual interest, glue it off center and partially obscured as if sailing off the card.
    8. Stamp the sentiment onto the card.
    And, voila! An easy card with a lot of visual interest.
     



    Friday, August 22, 2025

    Using masks in your card making

     

    While those of us who love, love, love Halloween are already crafting cards for our holiday, my topic of masks today does not refer to those kinds of masks we hide behind at Halloween. I am talking about masks in card making, which conceal a portion of your card so that ink or blending done over that area does not take to the portion covered. This creates depth and a natural look to your composition. 

    When crafting a mask, you can use specialty masking paper, masking fluid or even a stencil. But I chose to simply stamp and cut out the image I wanted to cover from a post-it. Here, you can see I stamped a monstera leaf, then I stamped and cut out the same image  from a post-it and placed that post-it over my initially stamped image. My next stamped image will overlap the first one and appear partially hidden, under the first stamped image.  
    Now, do not be scared by my supplies list. I used quite a bit for this card, mainly different inks. You can streamline the colors used; I just love to layer different colors on top of each other.
    Supplies
    1. Cut and fold an A2 (4.25"X5.5") card out of your white cardstock. Also, cut a 3.75"X5" rectangle out of white cardstock.
    2. Use the embossing folder from the Tropical Vibes set to create a three dimensional texture to the 3.75"X5" rectangle
    3. Use your blending tool to apply ink to the embossed rectangle. I used both olive and evergreen inks to give the leaves more depth.
    4. Use your layering stamps from Tropical Vibes to stamp a flower.
    5. Stamp the same flower in a different ink on a post-it and cut it out. Be careful to stamp the masking flower over the sticky part of the post-it.
    6. Place the post-it stamped flower over your original flower. Next, stamp another flower overlapping the first one onto the 3.75"X5" cardstock. You will be left with layered flowers when you take away the post-it mask.
    7. Continue this process while stamping the rest of your composition.
    8.  Emboss the banner from the Eres Majia (You are Magic) with your embossing ink and bronze powder. Cut the banner out with corresponding die.
    9. Use your blending tool to ink the white cut out banner in Antique Gold.
    10. Stamp the You are Magic sentiment inside the banner with permanent black ink.
    11. Glue the entire composition onto the 3.75"X5"cardstock. And glue that rectangle onto the front of the card. 
    12. I colored the white border on the front of the card with my gold marker. I think a stark white would have been jarring and the gold border complimented  the metallics used in the sentiment. 

    Sometimes you may choose to use store bought mask sets. In this Halloween card, I used the cutouts sold in the Tim Holtz's moon masking set. First I used the full moon cutout to draw the moon, ink it and cut it out. Then, I layered the stencil with the moon pitting over the inked full moon. I then used my ink blending tool over the second stencil with the surface irregularities. 



    I love how it turned out!


    Thursday, July 17, 2025

    Clean and simple card making: stamped backgrounds

    I made another card illustrating how repetitively stamped backgrounds can create a visual rhythm to your design. This simple layout had me stamping, blending, cutting and glueing. I felt like a school kid with my big glue stick.

    Now, when you look at my supply list, you're going to smack your head when you look at all the inks. Rest assured, you only need a red, a green and a black. I like to mix colors. I often use different shades of a same color to create small variations.

    Another tip I can give you regarding supplies is to purchase coordinating sets when you can. Especially for beginners, this actually lessens the amount of supplies you're going to need because most of the main elements will be included. 

    Supplies

    The irregular, diluted striped background reminds me of tablecloths on picnic tables. Perhaps it's because the Fourth of July was last week, I felt like adding some spark to my watermelon slices. I cut silver glitter halos around the melon slices and sentiment. Overall, it feels refreshing.

    Steps
    1. Cut your cardstock into an A2 sized (4 3/8" X 5 3/4") fold over card.
    2. Choose the color inks for the card. Stencil a striped background with a sheer (light pressure) layer of inks
    3. Stamp three layer watermelon slices on white cardstock. Stamp sentiment on white cardstock. Note: the corresponding die cut out the slices leaving white border. I colored them in with alcohol markers because I just wanted a glitter border (step 5 &6)
    4. Cut out watermelon slices and sentiment.
    5. Glue watermelon slices and sentiment to glitter cardstock.
    6. Cut out the glitter haloed watermelon slices and sentiment.
    7. Glue slices and sentiment to front of card. 
    There you have it. Easy peasy.

    Create texture on your cards with embossing/Crea textura en tus tarjetas con embossing

    English below • Español más abajo This card is quiet in it's design. The subtlety appealed to me. I like the visual surprise of a shadow...